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This page was updated
October 6, 2007

Maine Arts Education Conference
Samoset Resort: Teaching Traditional Dance and Singing Games to Children

Peter and Mary Alice's workshop notes for Friday, Oct 5, 2007

Dear Dance Workshop Participants,

We were really impressed with your level of dancing and participation and enthusiasm, THANKS!

Here are some notes on the dances we did in the workshop:

Highland Gates p. 5 in notes
in NEDM's Down in the Valley collection This is a great dance for opening a community dance. Folks can join in the dancing as they straggle in.

Blaydon Races p. 1 in notes
in NEDM's Chimes of Dunirk collection We used 'Old Favorite' from NEDM's 'Other Side of the Tracks' CD for this. We did this is a mixer, but you can also do it with younger children without changing partners. We often call this at weddings.

Tree Song
In NEDM's Down in the Valley collection Lorraine Hammond, who composed this wonderful singing game, is a songwriter and musician, and the best known Appalachian dulcimer player in the country. She is in the greater Boston area. The piano arrangement on the CD is Peter's.

Old Brass Wagon p. 5 in notes
In NEDM's Down in the Valley collection This can be an a cappella singing game, or, with the CD (or live music) a great early dance to instrumental music. When Peter teaches it he walks through the figures first, and then says "Now just do whatever Mary Alice says," and puts on the CD.

Kindergarten Reel p. 1 in notes
In NEDM's Listen to the Mockingbird collection but just in the book, not on the CD, because the idea is that you lead this with whatever instrument you play: piano, French horn, recorder, electric guitar, whatever!

Galopede p. 1 in notes
In NEDM's Chimes of Dunkirk collection We often end a community dance with this dance. If you have a live band, have them play an extra C section the last time through at the end of the dance and have each of the successive top couples keep going down the middle while the rest of the dancers move up the outside. Sometimes we practice this ahead of time, sometimes we don't.

Sicilian Vowel Dance p. 2 in notes
In NEDM's (forthcoming - Nov 1 release) Sashay the Donut collection We used 'Golden Keyboard' (actually, the piano only comes in at the end of the cut) from NEDM's 'Any Jig or Reel' for this. Do this with 5th or 6th graders who have a fair amount of dance experience, and who have already learned the grand right and left ('Lucky Seven' from our Chimes of Dunkirk collection is a good teaching dance for the Grand Right and Left figure). It can work at a community dance if you have all the younger children dance with an adult or older experienced child partner. The main teaching point is, once folks are in the formation of couple facing couple (Sicilian circle formation), having everyone point to the left. Those pointing to the inside of the circle say "I am an insider." Those pointing to the outside say, "I am an outsider." That is the direction they start going when they do the big, no hands, stay-with-partner grand right and left.

La Bastringue p. 1 in notes
In NEDM's Chimes of Dunkirk collection We used this as a vehicle for a lot of teaching tips: Mittens; front of your mitten on the front of your neighbor's mitten, thumb lightly on back; take hands drop hands take hands drop hands; posture; teach the forward separately from the back in the forward and back; shake partner's hand, hang on, take partner's left hand for teaching promenade; while promenading: inside person is the moon/gent, outside is the star/lady; four steps of making a circle from a promenade: "Hang on to partner stop walking, hang on to partner face the center, drop hands, take hands."; 9 ways of keeping the circle big and round on circle left and right; dosido (gents start on inside, ladies start going outside) flowing into two hand turn flowing into promenade; when music starts clapping the first of each 8 beats; doing the dance with your hands; "thick" calling, then "thin" calling then no calling; saying the call right before the 'clap' or before the first beat of the phrase and figure.

Kings and Queens p. 2 in notes
In NEDM's (forthcoming - Nov 1 release) Sashay the Donut collection We used 'On the Danforth' from NEDM's 'Other Side of the Tracks' CD for this dance. Before we teach this dance we will dub each child a King or a Queen, and talk to them (sometimes while the music is playing to help sustain the mood) about what it means to be a King and Queen: They have royal posture, they never rush, they make good decisions, they are very attractive; basically describing the ideal King/Queen or, which, in my mind is being the very best person they can be. This is in the style of an historic English country dance.

Keep on dancing!

Best,

Peter and Mary Alice Amidon