Post-Session Notes for

Wyoming Music Educators Association

 

Monday, January 16, 2012

Evanston, WY

 

STORYTELLING, PICTURE BOOKS, LITERATURE AND MUSIC

 

Thank you for your enthusiastic participation in our

storytelling/picture book workshop last Monday. 

 

We know that there are many folks who worked to make

our visit possible, and we thank all of you, but we would

like to give a particular thanks to Pamela Schweigert who

was quite thoughtful, thorough, gracious and fun to be

with as she took care of us before and during the conference.

 

Below are notes about all the workshop activities

 

The post-workshop notes for our Dance/Singing Game workshop are at

http://www.amidonmusic.com/NotesWyomingDanceJan2012.html

 

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To get on the Amidon mailing list (notices 2-3 times

a month on upcoming music teacher workshops,

choral singing workshops, new publications, and

new choral arrangements (both treble voice and

SATB), please send an email to

 

     amidonpeter@gmail.com

 

saying you would like to be on the Amidon mailing list.

 

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MEET OUR BOYS:

 

Stefan (with his band ÒThe Sweetback SistersÓ)

http://www.youtube.com/watch?v=btpUPk6ldwE&list=PL106068EE434419C7&index=3

 

Sam

http://www.youtube.com/watch?v=R19BBsMvwQk

 

 

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AMIDONS SUMMER WEEK-LONG 3-CREDIT COURSE

 

RICH TRADITIONS AND NEW CREATIONS: DANCE, SONG, STORYTELLING AND LITERATURE IN THE MUSIC CLASSROOM

(or ÒEverything we knowÓ)

 

We do this every summer.  Our next course is

Monday - Friday, July 2 - 6, 2012.

 

Hartt Summerterm, West Hartford, CT

general info:

 

      http://harttweb2.hartford.edu/summer.php

 

The foundation of this class is the wealth of songs, dances, singing games, and folktales that spring from the Anglo American/African American oral traditions. Each participant will write a song and tell a folktale.

 Contact: Dee Hansen * 860-768-4128 * dehansen@hartford.edu

 

 

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AMIDONSÕ SESSION NOTES FOR Wyoming Music Educators Association

    Storytelling, Picture Books, Literature and Music

 

 

Fox Went Out on a Chilly Night (p. 2 in handout)

This is on the AmidonsÕ FaerieÕs Gift CD

What great language in this song, right from the start: ÒHe had many a mile to go this nightÉ..The ducks and the geese are kept thereinÉ..He grabbed the grey goose by the neck and he flung a duck across his backÉ..Old Mother Tippertopper jumped out of bed and out of the window she cocked her head crying, ÒJohn, John, ÉÉThe fox, he said ÒI better flee with my killÉ.Then the fox and his wife without any strife, they cut up the goose with a fork and a knifeÉ.Ó  If children get involved in the story of this song they will memorize this great poetry very quickly.  Make up your own story introduction to this.

 

This traditional classic has great language for children.  I created a storytelling introduction that, like our other storytelling song introductions was gleaned from the details of the song itself.  Try creating your own.

 

 

Picture Books Session One

  (see Bibliography, pp. 8 - 9 in handout)

 

     Day is Done sing the song with the children

 

     We All Went on a Safari Mary Alice played a drum and

       read the book, with all of us echoing the English numbers

       and then the Swahili number.

 

     Somewhere Over the Rainbow using recording of Judy Collins

 

 

Storytelling

Children need to hear stories, they need the classic folktales as

a way to help sort out their emotional lives.  The archetypal

characters that inhabit folktales: the kings, queens, princes,

princesses, ogres, giants, witches, wise old women and men,

and everyman Jacks and Marys are, according to one of

my storytelling mentors, Donald Davis, all part of our own

inner selves.  When a prince marries a princess at the end of

a folktale, Donald Davis goes on, that marriage represents our

male self marrying our female self; a healthy emotional integration.

 

There are depths of meaning of these wonderful folktales that

we will never fully plumb, but whenever we tell folktales to

children, it is wonderful to see them uncover endless and

often surprising new meanings.

 

 

FairieÕs Gift traditional Irish folktale told by Mary Alice

Here is a transcription of Mary AliceÕs telling of the

folktale, including the songs she made up:

 

      http://www.amidonmusic.com/FaeriesGift.pdf

 

 

Sayback Simply have the children say back any words

or phrases from the story, all at the same time, like a shower

of story images.

 

 

Thorn Rosa (p. 3 in handout)

This is in NEDMÕs ÒJump Jim JoeÓ collection.

You can tell this as a story, punctuated by the

verses of the song, or as a singing game, as

we did it in the workshop and as it is described

in NEDMÕs ÒJump Jim JoeÓ collection.

 

 

Marushka and the Month Brothers

traditional Russian folktale told by Peter

Here is a picture book version of this folktale:

 

http://www.amazon.ca/Marushka-Month-Brothers-Anna-Vojtech/dp/1558586288

 

And here is a summary of PeterÕs version of the story:

 

http://www.amidonmusic.com/MonthBrothers.pdf

 

Acting out stories

Children do this quite naturally; you just

set it up and, as much as possible, get out

of the way.  After telling a folktale I give

them the homework to retell it aloud,

we might go through a speed through of

the story or do a quick group map of the

story or discuss the story (What was the

funniest/saddest/most scary/most memorable

moment?)   Once they all know the story well,

you are the narrator, and maybe also the musician

(guitar, accordion).  Pull the characters (and

human props) from the ÔaudienceÕ of children

sitting in a bunch in front of the ÔstageÕ.

All the action takes place right in the middle

in front of the audience.  The ÔactorsÕ speak

loudly so everyone can hear.  If they forget

what happens next you can feed them a line

as the narrator: ÒAnd then Arthur asked Sir

Gromer what the riddle was.Ó

 

You can use this method to create a musical performance

with added instrumental music, songs and dancing, or

just do it once and leave it at that.

 

 

Tree Song (p. 3 in handout)

in NEDMÕs Down in the Valley collection

I introduced this with a story that I made up.  Elements

of the story came from this singing game, the singing

game ÔRoger is DeadÕ (NEDMÕs Down in the Valley)

and the traditional song ÔChiney DollÕ (on our

ÔSong in My HeartÕ CD).

Lorraine Hammond, who composed this wonderful singing

game, is a songwriter and musician, and one of the best known

Appalachian dulcimer players in the country.  She is in the

greater Boston area.  The piano arrangement on the CD

is PeterÕs and is available as a childrenÕs choir piece for

young singers.  We find this to be a calming, centering

dance, both for the children and for ourselves.

 

 

Owl and the Pussycat in the handout

on the AmidonsÕ FaerieÕs Gift CD

Introducing a song with a story is a great way

to engage the children more deeply in the experience

of the song.  Watch out! TheyÕll ask you for the story

every time.

 

 

Picture Books Session Two

  (see Bibliography, pp. 8 - 9 in handout)

 

   I Miss You Every Day

     Goes great with the Woodie Guthrie Song

     ÒMail Myself to YouÓ (on the AmidonsÕ

      ÒFaerieÕs GiftÓ CD).

 

   First Strawberries

      Works perfectly with Carlos Nakai flute music.

 

   Love Me Tender Picture book you can sing with.

      What a brilliant idea, to make this about a father

       and his daughter.

 

 

Wangari Maathai and the Trees of Kenya

by Donna Jo Napoli , illustrated by Kadir Nelson, Simon & Schuster books for young readers

Music from Mickey HartÕs album ÒPlanet DrumÓ: tracks: ÒMysterious IslandÓ and ÒBonesÓ.

We had you act this out as Pamela Schweigert read the text

from the picture book.

Wangari Maathai, Kenyan environmental and political activist, founder

of the Green Belt Movement, and Nobel Peace Prize winner, died

last autumn.  Here is a Youtube of Peter conducting the choir for

the Wangari Maathai memorial service at the Cathedral of St. John

the Divine:

 

http://www.youtube.com/watch?v=cVSaei6XD5o

 

Chiney Doll (p. 5 in the handout)

We showed you the picture book and Peter told a bit

of the story/song.  Then we played a clip of our then

2-year-old son Sam not willing to sing the song until

he had told the story.  He sort of grunted through the

story, not because he did not remember it; he remembered

it perfectly well.  The effort was in transforming the

images in his mind into language.

 

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Your homework is simple: tell stories to your students!

 

Best,

 

Peter and Mary Alice Amidon

amidonpeter@gmail.com

http://www.amidonmusic.com